RAW: Snowtown – Meet Lucas Pittaway – Pt 1 – Video Interview

Lucas Pittaway By Harry Pearce

Snowtown, the most acclaimed Australian movie of the year and perhaps of the millenium to date, opens next week.

Starring as Jamie Vlassakis, Lucas Pittaway recently spoke at length with Kryztoff in an exclusive interview. In this the first of a three part series entitled ‘Meet Lucas Pittaway’, Lucas speaks of how he got the part and his experiences from being involved.

The video is at: Lucas Pittaway Speaks With Kryztoff

See also Kryztoff’s preview interviews with both Lucas and Kristina Sedgwick, Director of the Adelaide Film Festival that premiered the film in February at Katrina Sedgwick and Lucas Pittaway Talk About Snowtown

From Thursday 12th May, see also our interview with Justin Kurzel, Snowtown director, in our monthly mag at: Kryztoff\’s May Edition

RAW: Henri Mallard – Building The Sydney Harbour Bridge – Artspace Til 29 May

Henri Mallard At Work

Coming up to the 80th anniversary of the opening of the Sydney Harbour Bridge, Henri Mallard’s photographs and film record more than a significant public works project but a monumental Australian undertaking.

The design of the bridge itself offered all kinds of photographic possibilities and Mallard has taken them all. From closely cropped images of work being undertaken and of the workmen involved, the use of the lattice of cross beams and the arches, to panoramic vistas of the harbour, the boats and ferries below and of workmen suspended between the two. They are gritty, heroic and stunning in equal portions.

As good as the images are in and of themselves, much is added by the film that goes with the exhibition. While requiring 20 minutes of attention, the time is well spent as they not only place in great context many of the photographs, giving them greater meaning, but the sheer engineering and logistical genius involved in making the project happen is made plain. The quality of the commentary is hard to believe in this day or professional voice overs and documentaries but for raw authenticity this is terrific stuff.

When one appreciates that the safety concerns of the Chief Engineer, Bradfield, almost prevented this record being made, the fact this was the first such undertaking of a project like this by an art photographer in this country and the equipment involved was all somewhat new in itself, these are the works of a dedicated artist who knew what to record and where and how to get it. The results are quite memorable.

Whether viewed as a record of a great Australian achievement done in the depression (that also cost 17 lives) or of a committed and brave artist working in the industrial aesthetic of the time, this exhibition is stirring stuff and worthy of a visit.

[Images shown are allHenri Mallard Untitled c. 1930

Photographic Images © Paul Mallard and the Australian Centre for Photography

Kryztoff’s Rating  4.5K

See Kryztoff’s other visual arts reviews and features and profiles in its magazine at: Kryztoff\’s On-line Magazine

Procrastinate: Yet More Bad News For The Jihad.

Muslim suicide bombers in Britain are set to begin a three-day strike next Monday in a dispute over the number of virgins they are entitled to in the afterlife. Emergency talks with Al Qaeda have so far failed to produce an agreement. The unrest began when Al Qaeda announced that the number of virgins a suicide bomber would receive after his death would be cut by  just under 20% this month from 72 to 60.   A company spokesman said increases in recent years in the number of suicide  bombings have resulted in a shortage of virgins in the  afterlife.

The suicide bombers' union, the British Organization of Occupational Martyrs (BOOM) responded with a statement saying the move was unacceptable to its members and called for a strike vote.  General Secretary Abdullah Amir told the press, "Our members are literally working themselves to death in the cause of Jihad.  We don't ask for much in return, but to be treated like this is like a kick in the teeth".

Speaking from his shed in Tipton in the West Midlands, Al Qaeda chief executive Osama Al Laden explained, "I sympathize  with our workers' concerns, but Al Qaeda is simply not in a position to meet their demands.  They are simply not accepting the realities of modern-day Jihad  in a competitive marketplace.  Thanks to Western depravity, there is now a chronic shortage of virgins in the afterlife.  It's a straight choice between reducing expenditures or laying people off.  I don't like cutting benefits, but I'd hate to have to tell 3,000 of my staff that they won't be able to blow themselves up."   He further added that " the timing could not be worse given the opportunities created by the recent demise of that great leader and martyr, Osama bin Laden."

Spokespersons for the union in the North East of England, Ireland, Scotland and the entire Australian continent stated that the change would not hurt their membership as there are few virgins left in their areas anyway.  According to some industry sources, the recent drop in the number of suicide bombings has been attributed to the emergence of Scottish singing star Susan Boyle.  Many Muslim jihadists now know what a virgin looks like and have reconsidered their benefit  packages.

RAW: Adelaide Oval – One Week On – Part 1

One week on from the surprise 80% SACA members’ vote what has changed? Well quite a bit actually.

First thing is this surprise vote. Questions linger over how such a vote was obtained given the historic difficulties in getting anywhere near a 75% majority for any proposition where there is a bona fide ‘No’ case. Former Federal Labor member for Port Adelaide, Rod Sawford is staggered as were all pundits who had followed interest in the matter. Of course, consistent with every other sticky piece of information that came up in the Oval debate for either the SACA or the SMA (see further below), the SACA says it won’t provide access to the votes to anyone. It is hard to believe a member has no right to review such major things like this of their own association or would have an association that would prevent it.

Then, the Government came out with the usual stream of held back announcements. The forests are going to be sold (we heard the next day), a position not declared in the lead up in case some SACA country members didn’t like the sound of that. Premier Rann also announced the oval would be ready just in time for the 2014 State election. Kryztoff is happy to have a bet with anyone that there will be a football game played in the new stadium between Port and the Crows just prior to the election – try 7.40pm on Friday 28th February 2014 (yes, in cricket season) – under the State’s reserve rights to stage whatever it likes, whenever it likes. Then Rann can make his debut appearance at a football game in 12 years as premier to show the football princes and proles alike what he has done for them.

Under attack from Kryztoff and the No case, last week the Stadium Management Authority changed its constitution so that the anomaly that had existed from the outset that its CEO can’t also be a director is now gone. Interestingly, one of our gonged investigative journos from the SA Media Awards, did not believe that such an issue existed when asked to consider writing an article on the sloppy way the SMA was operating relative to its constitution. Well I suppose if you cover your ears, eyes and mouth and turn the music on really loud not much will get through.

Greg Howe of the No Case also revealed what a croc of dust the report of the SA Centre for Economic Studies was. This is the one that every cheerleader for the project chirped on about that suggested $110m worth of benefits were coming the State’s way. As he showed, the $110m related to gross expenditure, not any net economic gains (as say after including costs involved in earning that revenue, likes wages.) Then around half comes from a transfer of expenditure from West Lakes and much of the rest comes from dream world crowd projections for Port football games, rugby internationals, soccer games and concerts (see separate article to come.)

Nowhere in the document did it deduct from the gross interest costs on the $535m debt the State will be incurring ($40m pa approx). Anyway, any body worth their salt and worried about their integrity would never have been associated with such a piece of crap or allowed its report to be so badly misused. Kryztoff understands some SACES directors did exactly that – endeavoured to distance themselves from the production of the report. Now, let me guess, who do your reckon funds the SA Centre for Economic Studies?

Interestingly, all comment about the economic benefits seems to have been dropped in recent days in both The Advertiser and the Sunday Mail.

Then in a triumphant act of schutzpah, The Advertiser just on Tuesday happened upon a copy of the Macquarie Bank investment proposal that showed the Royal Adelaide Hospital will be built with a $1b over spend up front and annual on-going costs of $1m per day to the taxpayer thereafter. Trying to show to its readers (who generally hated the Adelaide Oval proposal – 90% against in two large phone in polls leading into the SACA vote) that it still cared for Government waste and the plight of the battler, the paper let rip on the Premier and Minister Hill. Little was made of the fact that Jim Katsaros, the doctor who ran the Save The Adelaide Hospital campaign had promoted the exact same figures in the lead up to last year’s State Election.

Again, full marks to those highly honoured investigative journos we have in this State. We are so lucky to have you on our side.

We could go on and we will but in separate pieces about the political machinations since and also further review of the dream world crowd and fixture projections for this ‘game changer’ that will transform this State from the summer of 2014 and make us all feel a lot better.

PS           Taking a walk around the so called Riverfront precinct this afternoon, there were about 500 people there, 50 of whom were young guys doing parkour. Just where all these people will come from to fill all those restaurants and cafes that are going to be built is anyone’s guess. Let us not forget that the fabled Federation Square sits next to one of the great railway stations of the world and is a major meeting spot to boot. Adelaide railway station is nothing like that, or will it ever be.

Check out all our features and profiles in our magazine at: Kryztoff\’s On-line Magazine

RAW: Theirs Yours Mine – Light Square Gallery – Nic Brown et al

Too Precious #1 - Peta Alannah Chigwidden

By Genevieve Brandenburg

Theirs Yours Mine is a group exhibition by five Adelaide artists currently showing at the Light Square Gallery in Adelaide. Nic Brown, Peta Alannah Chigwidden, Lara Merrington, Alice Potter and Talia Wignall are presenting a vast array of different artworks, united under the idea of what’s theirs, is yours, and mine.

The artwork of Nic Brown is inspired by the concept of memory, daydream, the future and reality. In her Monte Carlo landscape series, dreamy sun- and mist-filled landscapes are painted on glass biscuit platters, adding a unique element to the works. We’ll Meet Again involves taking a seat and listening to piano melodies played by the artist’s grandmother – beautifully nostalgic pieces, they are able to transport one out of the gallery setting and back to a simpler time, a trait inherent in this body of work.

Peta Alannah Chigwidden’s artwork is inspired by thought and imagination, manifesting in portraits of women and her own children. Her painting Too Precious #1 is a charcoal and watercolour portrait of the artist’s daughter. A seemingly simple work, Peta has captured not only the innocent and naive beauty of childhood, but also the child’s inner strength of character that could only be brought out by both a skilled artist and loving mother.

Lara Merrington’s photographs have captured the minute details of moments in time that otherwise would have gone unnoticed. Ephemeral yet imbued with a hint of timelessness, they remind us of the importance of living in the moment. Her work Greetings from Here is an interactive piece that invites the audience to write a message on the back of postcards, thus sending a message from one point in time into the next, ensuring the precious fleeting moment is preserved.

Alice Potter’s mixed media artworks revolve around the idea of being materialistic about anything. Quirky and endearing, the artist has used all manner of objects and items collected on her travels to create unique one-off jewellery pieces. Her work The things I do possess, sometimes they own me too contains a range of items, each imbued with significant meaning and each adored by the artist. Such a varied array of objects in this artist’s body of work means that there is something for everyone to respond and relate to.

The work of Talia Wignall is inspired by our own personal universes as well as the novel Jane Eyre by Charlotte Bronte. One particular work, titled I will leave you by yourself, acts as a statement of brave, pure, yet melancholy connotations that can be used to interpret the rest of this body of work. Distant memories of long-lost childhood worlds; teenage dreams and adult fantasies that we may have left behind in the course of our lives – it is here that we can rediscover fragments of those worlds that all of us have lived in.

Theirs Yours Mine is everything its title suggests. An exhibition of what we may have forgotten, lost, overlooked, or left behind in the course of our daily lives, the work of these five artists succeeds in breaking the walls between ‘them’, ‘us’ and ‘I’; reminding its audience that as human beings, we have more in common than we may always think.
Dates: 5 May – 26 May 2011
Where: Light Square Gallery, AC Arts Tafe SA, 39 Light Square, Adelaide 5000
Gallery hours: Monday – Friday 9am – 5pm, closed weekends and public holidays

Did you get to see Stop The Gap at the Samstag, then check out your impressions against our review in our April edition at: Kryztoff\’s April Edition

RAW: November – State Theatre Company – Dunstan Playhouse – 3K

Charles ‘Chuck’ Smith is coming to the end of his first and – with a lack of support from the Election Committee, a barely existent re-election campaign and poll ratings so low they can barely be seen – final term as American President. He is less than happy about the situation and the news that he will not even get a library when he leaves is the last straw. He decides that he must be re-elected, even if that means making shonky deals with local Native Americans, calling his sick speech-writer into the office and extorting funds from the nearest available source.

The set, from Victoria Lamb, is a very good representation of the Oval Office, capturing its best known features and opulence. The lighting (Mark Pennington) is well adapted to suit the time of day visible through the large windows behind the President’s gorgeous carved timber desk. Together they set the scene well.

Gary McDonald’s portrayal of Chuck brings to mind a petulant and spoilt child. While this is probably an accurate interpretation of the character as written and there is a lot to enjoy in the performance, it does get a tad grating. As his brown-nosing but slightly more world-aware personal adviser Archer Brown, Peter Michell is suitably unctuous. The character of Clarice Bernstein (Barbara Lowing) – Chuck’s speech writer who chooses to use his desperation to her own advantage – is written and played for laughs, however the interactions between her and Chuck seemed inconsistent and, at times, pointless.

Michael Habib embodies “the turkey representative” well, creating a man who is not overburdened with intelligence himself and lives for his turkeys. In him, Chuck may have found the Cash Cow he needs to be able to buy enough air-time to convince the American people to vote him back in. Jason Chong fills the small and less than inspiring role of Chief Dwight Grackel, adequately. While all of the actors do a decent job with their individual characters, there is no overall cohesion as an ensemble and the energy is sadly lacking for the majority of the show.

The humour in this play seems to rely on the old adage “it’s funny because it’s true”, however it misses the mark slightly due to everything being so over the top that it becomes too unrealistic. The lack of energy also detracted and the American accents used appeared to affect the actors’ projection, making it difficult to hear and understand some of the dialogue (and jokes). Though not a triumph, there is potential in this show and hopefully as the run goes on, the energy will rise and it will be fulfilled.

Kryztoff Rating: 3K

Check out all our features and profiles in our magazine at: Kryztoff\’s On-line Magazine

RAW: Snowtown – Movie Preview With Lucas Pittaway & Katrina Sedgwick

The Snowtown movie releases on 19th May but it has already received rave reviews with its first sold out screenings at the Adelaide Film Festival.

In two exclusive interviews with Kryztoff, Adelaide Film Festival Director, Katrina Sedgwick, and Snowtown star, Lucas Pittaway, talk about the film and their involvement in it, Sedgwick as an investor and Pittaway as an actor.

Catch that video here: Katrina Sedgwick and Lucas Pittaway Talk About Snowtown.

RAW: Soundwave Interview – We Are The Ocean

By Socratos

We Are The Ocean are a 5-piece post-hardcore band from Essex UK. Formed in 2008 the band is famous for the intensity of their live shows.

I spoke to guitarist/vocalist Liam Cromby who joined the band after responding to their ad on the internet. Upon arrival at the first practice session he was surprised to learn that a number of the other members were already mates of his and the band gelled from there!

As we spoke the band was currently on a European tour just outside of Amsterdam. They are touring and celebrating the release of their latest album Go Now And Live which entered the UK album chart at #45 on April 25th this year. A success that builds upon their initial successes with their first album of which they only pressed 1000 copies due to a restrictive budget at the time. Even so all 1000 copies sold out really quickly and in hindsight have been a great move according to Liam;

“Because there are so few copies of that first album it has become rather sought after and it’s difficult to get a hold of. It’s a nice feeling to see it going on ebay from time to time”

Although you may not get your hands on their first album most of the tracks on it were re-relased on their major label debut titled Cutting Our Teeth.

We Are The Ocean are heading down under for the upcoming Soundwave revolution tour, check the website for dates in your city


Alex Grey Riding the Rainbow Interview Videos

It’s finally here folks! The video interview with Alex & Allyson Grey at Rainbow Serpent 2011 in four parts, enjoy

Part I

part II

Part III

Part IV

Check out the write up of these interviews in Kryztoff’s April edition at: Kryztoff\’s April Edition

Along with our profile on Bob King, Rachel Sanderson and this season’s plays from the State Theatre Company