May 19
A thoroughly enjoyable show that utilises minimal staging but clever use of projections to take us between the various locales and moments of time. For those who see Driving Miss Daisy as an opportunity to see two icons of TV, theatre and film strutting their stuff, you will not be disappointed.
May 14
Claire Glenn takes on the most formidable challenge of the three players and does an admirable job, swinging and swaying between the hurt and challenges of her rape and the need to get back into the scene. 3K
May 09
Rafael Bonachela’s artistic direction takes us through isolation as a curse and a strength, the joys and lows of interacting with another and the buzz and desolation that can come from crowd involvements. But throughout the beauty of the human form is the supreme connection he makes with the audience. 4.5K
May 03
Throughout the year, Kryztoff interviews various performers, artists and commentators. This blog page now brings them all together, with the most recent posted first. Enjoy.
May 03
Chitty Chitty Bang Bang – Don’t miss it. 4.5K
May 02
Two hilarious Australian comics come to Adelaide for a week of stand-up gigs. See post for details
May 01
State Theatre’s modern adaptation via Murray-Smith is slick. Alison Bell successfully takes on one of the most demanding roles in theatre, seemingly preferring to paint her Hedda as a manipulating villain rather than say a victim of circumstance or an idealist fighting against society. 3.5K
Apr 29
Internationally renowned Sydney Dance Company is set to return to Adelaide in May, presenting five performances of their critically acclaimed work, 2 One Another, at Her Majesty’s Theatre, 8 – 11 May. See post for details.
Apr 28
Be warned Unsex Me is extremely confronting and conservative minded folk may well walk out wiping their brow. 3.5K
Apr 25
Carclew Youth Arts is once again offering four opportunities totalling $50,000 to help young South Australian artists excel in their chosen artform.
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