RAW: Tim Burton – The Exhibition – ACMI Melbourne
Jun 30th
Any lover of modern, edgy media or graphic design will wish to make a bee line to Melbourne for Tim Burton – The Exhibition at the Australian Centre for Moving Image (ACMI) in Federation Square before 10th October.
This exhibition, straight from the Museum of Modern Art in New York, is the complete retrospective. To its credit, and what is usually rare from such a display, is copious material from his pre-fame days when growing up as the outsider kid in Burbank, Ca. The first two rooms highlight the array of Burton’s mental and physical doodling and concepts that would become consistent and now famous motifs of his work, all well before he carried studio support – the dark settings, the wiry fingers, arms and legs, the bits that stick out from heads, his love of black and white working together in rings and leafless, winter beaten trees.
Also fascinating is the almost child-like way he presents film concepts to producers and his, at times, very clever sense of humour. Certainly Burton has a distinctive personal artistic vision evoking humour, fantasy and nightmares, living often in between worlds. While some regress to child like stories and fantasy as a comfort zone, Burton says his films are not an attempt at recapturing a childish impulse but a way to make the world fresh and interesting.
While mentioning at the outset media buffs and graphic designers will wish to ensure they see it, a great many other starting points will also attract attendance. Kids will love it, though this is probably more for adults than may be expected, psychologists will have a field day and film buffs generally will be intrigued. Certainly, as much as Burton’s genius is front and centre in his films, one comes to appreciate there are standout performances that actually make those movies hits such as from Michael Keaton (Beetlejuice), Johnny Depp (various) and Jack Nicholson (especially as the Joker).
There is great deal to do on any weekend in Melbourne this winter but this should be a priority.
Kryztoff Rating 4.5K
RAW: Farewell – Film
Jun 30th
In the early 1980s, the Cold War for the Russians is being increasingly held together only by intelligence about western people, missiles and bases. Sergei Gregoriev (Emir Kusturica), in the Soviet intelligence services, has decided that should all change through sending back to the West all they know about them and the names of the Russian agents operating there. His mission is to make the Russian world a better place for his son, Igor. To do this, he enlists the help of Pierre Froment (Guillaume Canet), a Frenchman living in Moscow, in an operation codenamed ‘Farewell’.
This is a terrific espionage film, based on the factual account in the book by Serguei Kostine. Director and co-writer, Christian Carion, builds the tension silently but inexorably throughout until the last scenes are nearly unbearable to watch, so involved in the machinations and the lives of the players involved has one become.
Both the main actors do a great job and are well supported by Sergei’s ‘family’ (son, wife and mistress) and Pierre’s wife, Jessica (Alexandra Maria Lara). There is no James Bond or Jason Bourne in this drama and conflict between ‘duty’ to the cause and honesty and trust in the family is compellingly portrayed. Cliche portrayals of President Reagan and the CIA are upturned in the end as the real goings on get revealed.
Don’t miss it.
Kryztoff Rating 4.5K
RAW: Food Inc. – Film
Jun 29th
Food Inc is an unsettling and uncomfortable expose of the corporately controlled US food industry which no doubts has many parallels in Australia. As such it sits as an excellent companion piece to End Of The Line, the recent documentary about global fishing stocks.
Like EOTL, Food Inc wastes no time and nuance in quickly establishing who the villains are. Writer and director, Robert Kenner, names and shames in ways the US legal and political system no longer much allows it seems. Images of suffering animals due to pens, genetic modification or their food intake abound and the disconnect between consumer perceptions about their food and reality is hammered home.
However, again like EOTL, hope for the future is sustained, this time through the growing organics industry, (though no doubt the definition of this will be attacked and made meaningless over time such as the concept of ‘free range eggs’ is under at present in this country.)
These types of documentaries are at times glib, very biased in their view but they do get your blood boiling and make for compelling entertainment. Food Inc is one such in that mould but any kernel of truth that helps propel change is a good thing and the case for the power of the individual to make a difference keeps it interesting.
Kryztoff Rating 4K
RAW: Entertaining Mr Sloane – Preview – 2 – 25 July – Dunstan Playhouse
Jun 29th
Subversively slipping this Oedipal sex-farce past the ever-watchful eye of the British censor in 1964, play writer Joe Orton raised innuendo to new and thrilling heights. Almost fifty years later, the funny and sexy Entertaining Mr. Sloane continues to be revived all around the world.
The State Theatre Company’s production, which kicks off this Friday, will be directed by Artistic Director Adam Cook and will feature one of Australia’s best loved actors, Jacki Weaver, fresh from much acclaimed role in the movie Animal Kingdom.
Set in the 1960s on the cusp of the sexual revolution, it may be the swinging in London, but out in the suburbs, behind closed doors, Kath is lonely. Craving love and affection, Kath and her bachelor brother Ed are more than happy to accommodate the attractive young charmer Mr Sloane within their home and lives.
Both Ed and Kath become so infatuated with their shady tenant with a murky past that to win him, they will let him get away with anything, even murder…
Entertaining Mr Sloane promises to be a gloriously witty romp full of sly sexiness and racy naughtiness.
Cast also includes Dennis Olsen, Sean Taylor and Renato Fabretti
RAW: Love In A Puff – Film
Jun 25th
Reviewer – Lucy Campbell
It isn’t very often that Chinese cinema reaches our shores. The 1990s decline in the Hong Kong industry has never seen it truly recover, and it’s unlikely that Pang Ho-Cheung’s ‘Love in a Puff’ will do much to resurrect it.
The premise itself is an interesting one, if a little thin: workers ostracised due to smoking laws huddle in designated smoking zones, swapping jokes, stories and little bits of their lives. Two of these smokers, Cherie (Miriam Cheung) and Jimmy (Shawn Yue) strike up a relationship. That really is the entire storyline; the rest of the film is a compilation of long conversations and stories and snippets of the first seven days of their relationship. The truthfulness of the unwritten modern dating rules is key: the muddled texting, Facebook editing, swapping phone plans and the awkward and uneasy conversations. But somehow, Love in a Puff seems lost in translation and the nuances of their conversations are forgotten in the cultural wash.
However gentle and charming ‘Love in a Puff’ may be, it still is pretty uninteresting when all is said and done. Points are laboured and the characters are sketches. It seems like a Chinese attempt at French-style cinema, but lacking the intricacies of the latter it loses interest mid-way. ‘Love in a Puff’ is awkward, a mish-mash of borrowings from other films and although there is an element of modern Chinese culture that is revelatory, as a film rather than a cultural essay ‘Love in a Puff’ proves to be a work in progress.
Kryztof rating 3K