Any lover of modern, edgy media or graphic design will wish to make a bee line to Melbourne for Tim Burton – The Exhibition at the Australian Centre for Moving Image (ACMI) in Federation Square before 10th October.

This exhibition, straight from the Museum of Modern Art in New York, is the complete retrospective. To its credit, and what is usually rare from such a display, is copious material from his pre-fame days when growing up as the outsider kid in Burbank, Ca. The first two rooms highlight the array of Burton’s mental and physical doodling and concepts that would become consistent and now famous motifs of his work, all well before he carried studio support – the dark settings, the wiry fingers, arms and legs, the bits that stick out from heads, his love of black and white working together in rings and leafless, winter beaten trees.

Also fascinating is the almost child-like way he presents film concepts to producers and his, at times, very clever sense of humour. Certainly Burton has a distinctive personal artistic vision evoking humour, fantasy and nightmares, living often in between worlds. While some regress to child like stories and fantasy as a comfort zone, Burton says his films are not an attempt at recapturing a childish impulse but a way to make the world fresh and interesting.

While mentioning at the outset media buffs and graphic designers will wish to ensure they see it, a great many other starting points will also attract attendance. Kids will love it, though this is probably more for adults than may be expected, psychologists will have a field day and film buffs generally will be intrigued. Certainly, as much as Burton’s genius is front and centre in his films, one comes to appreciate there are standout performances that actually make those movies hits such as from Michael Keaton (Beetlejuice), Johnny Depp (various) and Jack Nicholson (especially as the Joker).

There is great deal to do on any weekend in Melbourne this winter but this should be a priority.

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